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My Sony MDR 7506 Headphones (and why I don't use them)

admin by admin
July 14, 2020
in Công Nghệ
35
My Sony MDR 7506 Headphones (and why I don't use them)



My first in a series to try and help you hear how studio headphones sound:
Sony MDR7506:
Also in this video:
Headphone Amp DAC combo:
or just the Amp:
Objective Headphone Amp:
Mic I use to record the headphones:

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Comments 35

  1. Booth Junkie says:
    2 years ago

    Love to hear your thoughts on this type of comparison. SHould I do more? I have a whole bunch more pairs of cans that I can compare this way.

    Reply
  2. Myfanwy McLean says:
    2 years ago

    I liked the raw audio

    Reply
  3. Eddie says:
    2 years ago

    Theyre awesome!

    Reply
  4. Arsonloke says:
    2 years ago

    You have it backwards man these headphones are for mixing and not tracking. That's why they have a flat response to give you a true sound of your mix. As a producer and musician i can tell you these headphones are great for mixing.

    Reply
  5. David Bassin says:
    2 years ago

    Is there much of a difference between the 7506s and the now discontinued MDR-V6s? I've been using mine for over 30 years.

    Reply
  6. DJ DIGITAL says:
    2 years ago

    I have a pair of Sol Republic Air and Bose Quiet Comfort Q35. I need a pair of these. Too much bass in the Bose and Sol Republic.

    Reply
  7. Kay says:
    2 years ago

    8:05, after replacing the wire twice I decided to try and add a jack so I can just switch out the cable. It's way easier than you'd think, and it works really well!

    Reply
  8. PHOENIX says:
    2 years ago

    Im guessing its perfect for playing digital piano?

    Reply
  9. T Diaz says:
    2 years ago

    I'm with you on the Sony MDR's being painful – I actually got them for editing and ouch. AND don't like that coil. I tried them in front of the mic and love the sound BUT coil gets in the way and makes the phones heavy on the head. I was able to bend the band a bit this morning, though, and they did feel better. I'm looking for your video on your recommendations for headphones for editing . . .

    Reply
  10. Christopher says:
    2 years ago

    Thanks for sharing! I used to have 7506s for years ago and never loved them, mostly hated them.. got rid of them 10 years ago but I’m thinking about going back. Why? They highlight the treble.. if it really hurts it means you need more de-easing. And that’s what I’m hearing here as well, the raw sounds way better but could use a little heavier de-easing to be even better. Like the Sony’s need 15dB of de-easing, the Raw audio could use 3-5dB or even more.. who knows. So for that it might be useful. God I hate the idea of using them for more than 5 minutes though.

    Reply
  11. Ali Kemal Aydoğan says:
    2 years ago

    Hello brother you upload the this video near one year ago but I like this headphones it's wiil using on pc ?

    Reply
  12. Joe Jackson says:
    2 years ago

    Those headphones are horrible.. Seriously, if I set down in a studio and was handed those to listen through I wouldnt even blink while chucking them in the trash can where they belong..

    Reply
  13. Andrew R says:
    2 years ago

    Akg k240 are my favorite

    Reply
  14. Julian Smith says:
    2 years ago

    For cleaning, i use Sony MDR CD900ST, MDR 5000; Roland RH 300, Beyerdynamic DT770, Audio Technica M40/50 and Sennheiser HD800. For listening, Sony MDR V6/7506/7509/7520, Z1R, MDR Z7Mk2, MDR 1AMk2, MDR IEZ5 and WX1KM3.

    Reply
  15. Ivan Tarapcik says:
    2 years ago

    Why "raw audio" id few dB louder? It's not fair comparison as louder is usually perceived as better.

    Reply
  16. Francesco Negri says:
    2 years ago

    I'm listening with the 7506, listening to them hurts me everytime you say an "s".

    Reply
  17. Mental Flux says:
    2 years ago

    i agree with what you say.
    they do miss the mid region to me and i'm not much for mids usually. they do sound warm and cup nicely. the price tag is very reasonable. the v6 is good.

    Reply
  18. Alex Stories says:
    2 years ago

    He got me at the 10 feet cord. I was going to walk around the house and Clean with them but damn that is a long cord.

    Reply
  19. Joe Laber says:
    2 years ago

    These have been my standard RADIO headphones for well-over 25 years. Before these, I used the AKG K240 headphones. THANKS for the very informative vid! 🙂

    Reply
  20. Jesus Cristo ✔ says:
    2 years ago

    2 words

    Sonaworx and waves nx!
    U're wellcome

    Reply
  21. Floki says:
    2 years ago

    Hi i think ur very professional man with headsets and headphone ,, i want best headphone or headset for listen foot steps very well in my game ( rainbow six seige) i have goxlr thanks

    Reply
  22. Tom M says:
    2 years ago

    Hi Mike… I'm a long time Booth Junkie Junkie… love your vids. Yikes I've been mixing for many moons with the 7506 cans!!! Now that you've convinced me that I should use them in the booth instead… which cans would you recommend for control room mixing? Thanks

    Reply
  23. Chris Sinclair says:
    2 years ago

    single most important factor in ALL mixing is knowing your monitoring setup. Period. If you really really know the 7506 – its isn't an issue. I have the discontinued and very much better MDR 7509s… better sounding fully rebuildable. Clearly Sony dropped them to save money – shame… but point is I know them and I eq on JBL 6328 studio monitors ad check on headphones

    Reply
  24. Max Stahl says:
    2 years ago

    I have no idea who you are, but you must be the new voice of my inner monologue.

    Reply
  25. Peter Lagroove says:
    2 years ago

    Got some extra thick velour pads for my MDR-7506….

    Reply
  26. Milwaukee Matzen says:
    2 years ago

    Who would ever mix or master with 7506's?! You need monitor speakers for mixing and/or mastering. If you absolutely have to mix with headphones, absolutely do not do it in closed backs! 7506's are great for tracking. When working in studios, I've noticed that vocalists often prefer the 7506's over other headphones. You will often see them in "high end studios". If you like the sound of the 7506's, but don't care for their high-end, try out a set of 250 ohm Beyerdynamic 770 Pros. The high end of the 770's is more rounded.

    Reply
  27. Alfredo Paris says:
    2 years ago

    Jean Michael Jarre use this headphones in his studio is him crazy?

    Reply
  28. Alfredo Paris says:
    2 years ago

    Yes they aren't mixing headphone but for monitoring or voice over aren't so bad! cause they are closed and thats all!

    Reply
  29. Brianna Schuman says:
    2 years ago

    I'm a professional live audio engineer, and live use is where these are really meant to exist. That translates to why you're ok with them in the booth, but not at post-production. In Live audio, we like the clarity these give to the high end, as it helps us identify feedback, sibilants, and such forth. In PA mixing land, we're looking for clarity in the mid-range and low-highs to come through so that our audience will clearly hear the show. We know the bass will muddy itself up in the room regardless of what we do, so lows aren't as important. If the audience gets a nice 8k squeal, that's worse than unclear lows in live audio. They're also used because they pack small, are freaking tanks you just can't kill, and most importantly for live audio: you can flip a can backwards to press a single against one ear for PFL easily. I would not, and do not, use them for post-production editing though, precisely because of their response curve.

    I personally use a set of their older cousin, MDR-V6's, for computer gaming because of the midlevel clarity, and a propensity for them to de-emphasize the low end booms. They're 12 years old, I'm on my 3rd set of replacement muffs, and I just can't kill them. I can hear vocals clearly, and not get too lost in the background noise. (I also personally find them super comfortable!).

    So, as with all "professional" headphones, know what they're for, and use them accordingly.

    Reply
  30. James Niagu says:
    2 years ago

    I jus took a punch to my sould. I have been mixing with these headphones for about 7 years and wondered why i cant get audio to sound the same as my DAW and omg its been my headphones! These headphones!! Furthermore today was my first time in 7 years listening to a regular normal song with headphones these headphones and i notice today i am not crazy its not i can't mix its the headphones!!! Ahhhh!!! Thank you for this video sir u saved my musical life and made me notice im not crazy!!!!

    Reply
  31. Chris Roberts says:
    2 years ago

    7506 are fantastic for booming with a mic, and for film production sound. You hear every low rumble and all the extreme high frequency stuff, so you can fix it before you record it. But yes, no use at all for mixing. Thanks for all you do!

    Reply
  32. Raging Chimera says:
    2 years ago

    The secret to a good mix is knowing your monitoring devices, not loving them.

    Reply
  33. martinezq1 says:
    2 years ago

    All you need is to compare on many output before final production. As www web programmer. Some works in one browser, some on other. Need to compare…

    Reply
  34. RedBahamut says:
    2 years ago

    Theses are made for sound and music production and not for normal consumer usage (thus you can still use them as normal headphones) . They are made to sound as neutral, flat and balanced so you actually hear what has been recorded so you can adjust your RAW sound as you want it to sound. Consumers headphones enhance the sound with frequency modification with extra bass, dynamic compression and etc. You don't want to use headphones that cheats what you are actually hearing for your records since your sound adjustment will be based on your type of headphones. EX: if you use a pair of sony extra bass headphones for your mix, you won't really adjust the bass since it will sounds good as it is, but with the MDR 7506, you will hear that you should actually put a bit more bass and lower some treble. Since the MDR 7506 have clear mids and highs, spotting any imperfections in your recordings like too much gains and distortion will be much noticable so you can adjust your recording accordingly. These are made for adjusting your sounds and that is why they are widely used in sound studios. You don't really need those for voice over, singing, drumming while you are actually recording tracks, but when comes the time to mix all your tracks and do sound work, thats where they shine and are actually are made for.

    Reply
  35. Respected Slayer says:
    2 years ago

    I'm listening to this on my Sony MDR-7506s

    Reply

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